Codice Prodotto: 20008317
399,00 €
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Descrizione Prodotto


The MK-012 is a compact, high quality capacitor microphone with interchangeable capsules to provide a choice of cardioid, hypercardioid or omni-directional polar patterns.

The wide, flat response ensures that all sounds are captured with a high degree of accuracy. A -10 dB pad is included for use in high SPL environments. The capsules, which screw onto the microphone body, utilise a precision, integral connection system to ensure reliable electrical contact.

The MK-012 is suitable for use in any situation where an accurate sound is required, the size of the system makes it ideal for use in broadcast, sound for picture, installation, sound reinforcement and theatre situations as well as the recording studio.

In pairs, the MK012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead useage in live and studio situations. Factory matched pairs can be specially ordered.

The MK-012 has following options:

MK-012 with 3 capsules
MK-012-01 with 1 capsule
MK-012-02 with 2 capsules
MK-012 mini with mini preamp
Oktava MK-012
Oktava MK-012 with shock mount

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Technical specifications

Mic type Small diaphragm condenser
Polar Pattern Cardioid, Hypercardioid, Omnidirectional
Freq. Response 20-20000Hz
Phantom voltage required 48 +\- 2V
Full impedance, module less than 300 ohms
Weighted SPL (ref. DIN 45412) 18 dBA
Maximum SPL in 250-8000Hz range, (less than 0.5% THD) 130 db
Free field sensitivity at 1KHz 10 mV/Pa
Free field sensitivity roll off from 40Hz to 20KHz should not exceed +\- 3 db
Weight with 3 capsules and pad 200 gr
Length, mm 128
Max diameter/width, mm 23
Accessories included Mic holder
Accessories optional Shock mount
The difference in free field sensitivity between 0° and 90° should be as follows:  
For omnidirectional capsule:  
in 40-1000 Hz range: no more than 2 db
in 1-5 KHz range: no more than 4 db
in 5-8 KHz range: no more than 8 db
For cardioid capsule:  
in 250-8000 Hz range: no less than 4 db
For hypercardioid capsule:  
in 250-5000 Hz range: no less than 8 db
Average sensitivity difference between O° and 180° for cardioid capsule in 63-12500 Hz range: 16 db

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Frequency responses

Oktava MK-012 cardioid capsuleOktava MK-012 cardioid frequency response
Oktava MK-012 cardioid response
Oktava MK-012 hypercardioid capsuleOktava MK-012 hypercardioid frequency response
Oktava MK-012 hypercardioid response
Oktava MK-012 omnidirectional responseOktava MK-012 omni frequency response
Oktava MK-012 omni response

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Oktava MK012 Capacitor Microphone
Sound on Sound

Oktava have created a storm in the microphone marketplace with the MK219. Now they hope to follow up their initial success with the MK012, designed for both studio and broadcast use. 
PAUL WHITE dons his fur hat, converts some roubles, and gives it a spin...

Oktava's MK219 has caused quite a stir in the microphone world. It delivers a tonal performance to challenge mics which its own list price wouldn't even pay the VAT on, despite a standard of cosmetic finish that would make a Trabant engine casting look like a work of art. In that respect, Oktava's MK012 microphone couldn't be more different, being well-engineered and very conservatively styled. As tends to be the case with ex-eastern bloc microphones, the technology is largely 'borrowed' from the major mic manufacturers, but implemented in a slightly less refined manner.

The basic package comprises the mic body plus a stand clip, a 10dB pad and three individual capsules providing cardioid, hypercardioid and omnidirectional pickup patterns. A figure-of-eight capsule might have been more useful than two cardioid types -- the importers tell me they're already looking into the possibility.

The capsules screw directly to the microphone body, where the thread-to-thread contact forms the negative signal conductor, and a central pin in the capsule mates with a sprung contact in the microphone body to carry the positive signal. If the 10dB pad is needed, it fits between the mic body and the capsule. Low noise, transformerless preamplifier circuitry is housed in the mic body, and can be driven from any nominal 48V phantom powering source. Unlike vocal mics, where the response is often deliberately coloured, the 012 has a nominally flat frequency response extending from 20Hz-20kHz -- though that's not to say that it isn't also a good vocal mic.

I heard this mic as part of a comparative test undertaken at the Gateway School of Recording in Kingston, where they have a grand piano set up in the middle of a large studio. Several mics were set up on boom stands about four feet away from the open piano lid, and positioned as closely together as was practical. We then repaired to the control room and scrutinised the various mics while someone played the piano. Though every mic produced a slightly different sound, the 012 stood up surprisingly well, delivering a clean, open sound with plenty of depth. Further studio tests revealed that the mic also works well with acoustic guitars and, indeed, it should suit any application requiring an honest, natural result. As you might expect, there's a reasonable degree of consistency between the sounds produced by the three available capsules. Two of these mics would make a versatile and affordable stereo recording kit, though M&S recording is not possible, because there's no figure-of-eight capsule.

Because this mic doesn't produce a coloured response, it would be fine for classical and choral work, as well as for recording smaller ensembles (for example, folk, chamber, or ethnic music). Its small size also makes this mic suitable for broadcast, sound-for-picture, installation, and theatre situations.


Given the low cost, the MK012 is a surprisingly competent and flexible microphone, suited to virtually any application where an accurate sound is sought. In the project studio, it can handle vocals and all manner of acoustic instruments, and should also function as a top class sampling mic. A stereo pair would make great drum overheads or location recording mics, and their relatively high sensitivity means they could also be used for gathering sound effects on location, without noise posing too much of a problem.

There are plenty of professional mics already available which do essentially the same job as the MK012, but none at anything like the price. Traditionally, project studios go for large diaphragm capacitor vocal mics, but given its very attractive price, the MK012 makes a welcome and useful addition to the mic locker. The MK012 is optionally available with an elastic suspension cage, a phantom power supply, foam windshield and cable, all in a wooden case. Given that this costs only £50 or so more than the basic package, it adds further value to what is already a bargain. 



Meet the first member of the modern Oktava family, the MK-101. Introduced in 2004 as a transition from earlier models, the MK-101 retains some of the vintage character of the popular MK-219/319 (almost 100,000 sold) but offers transformerless output clarity.

The Capsule
The Oktava MK-101 uses the successful 26mm 219/319 capsule much loved for its classic midrange presence and sibilance-free top end.

The Headbasket & Body
The MK-101 headbasket features a large open area “forehead” for excellent off-axis response in the vertical as well as horizontal planes. Vertical asymmetry of the headbasket allows the recordist to explore different polar responses when using the mic upright or inverted. The small headbasket and body size make for easy placement and minimal reflection between sound source and microphone body.

The Circuit
Building on the marketplace success of the legendary MK-012, (over 90,000 in use worldwide) the MK-101 uses the same impedance converter / output circuit and body design made famous by the MK-012.

The Sound
On Axis – The MK-101 offers a powerful midrange presence and natural top end response with excellent rejection of sibilance. Off-Axis - The MK-101 has moderate attenuation at 90 degrees giving the mic a wide cardioid pick up pattern. 180 degree response has a warm spectral balance with strongest output below 200Hz, smooth amplitude reduction to 3 kHz followed by a moderate high frequency ambient sound presence peak.

The MK-101 excels on vocals or guitar cabinets where the recordist wants classic midrange presence, sibilant-free top end and a warm room sound with just a touch of top end room presence.

Technical specifications

Freq. Response, Hz 20-20000
Output sensitivity, mV/Pa 16
Max SPL, dB for 0,5% THD 122
Self Noise (DIN), dBa <18
Output impedance, ohm 150
Phase Positive
Powering, V 48
Switches -10dB Pad
Weight, g 260
Length, mm 165
Max diameter/width, mm 55
Accessories included Shock mount

Frequency response

Oktava MK-101 frequency response


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